BOB CROWLEY (Scenic Design) is an associate of the National Theatre. He has designed more than 50 productions in London including Mary Poppins (London - Evening Standard Award; Broadway – Tony®, Drama Desk Awards). Other Broadway credits include An American in Paris (Tony Award), The Glass Menagerie, The Audience, Skylight, Carousel (Tony Award), The Capeman, Sweet Smell of Success, Aida (Tony Award), Tarzan® (also directed), The Year of Magical Thinking, The Coast of Utopia (Tony Award), The History Boys (Tony Award) and Once (Tony Award). He received The Royal Designer for Industry Award and the Robert L.B. Tobin Award for Lifetime Achievement in Theatrical Design.

Gregg Barnes (Costume Design). Broadway: Tuck Everlasting (2016 Tony® nomination); Something Rotten! (2015 Tony nomination); Aladdin (New York, London, Japan, Hamburg, Sydney, North American tour); Kinky Boots (2013 Tony nomination, 2016 Oliver Award); Follies (2012 Tony, Drama Desk, Henry Hewes Awards); Elf; Legally Blonde (2007 Tony nomination); The Drowsy Chaperone (2006 Tony, Drama Desk Awards, Olivier nomination); Dirty Rotten Scoundrels; Flower Drum Song (2002 Tony nomination); Side Show; Bye Bye Birdie. New York: The Wizard of Oz, The Radio City Christmas Spectacular, Pageant (NY and London — Olivier nomination). Regional: Mame, Allegro (Helen Hayes Award). TDF Young Master Award.

Natasha Katz (Lighting Design) has designed extensively for theatre, opera, dance, concerts and permanent lighting installations around the world. She is a six-time Tony Award® winner whose recent Broadway credits include: Hello, Dolly! (starring Bette Midler); Cats; Long Day’s Journey Into Night; School of Rock; An American in Paris; Skylight; The Glass Menagerie; Once; Follies; The Coast of Utopia: Salvage and Aida. Recent dance designs include: Alice’s Adventures in Wonderland, The Winter’s Tale and Tryst for The Royal Ballet.

Ken Travis (Sound Design). Broadway: In Transit, Aladdin, Jekyll and Hyde, A Christmas Story the Musical, Scandalous, Newsies, Memphis, The Threepenny Opera, Barefoot in the Park, Steel Magnolias. New York and regional companies: The Old Globe, The 5th Avenue Theater, McCarter Theater, Seattle Rep, La Jolla Playhouse, LA CTG, ACT Seattle, Guthrie Theater, KC Rep, Dallas Theater Center, Playwrights Horizons, The New Group, NYSF Public Theater, CSC, Signature Theater NYC, SoHo Rep, Vineyard Theater, The Civilians, Mabou Mines. ken-travis.squarespace.com

Michael Kosarin (Music Supervision, Incidental Music and Vocal Arrangements)was music director of the Broadway production of Disney’s Beauty and the Beast in 1994, and has collaborated as composer Alan Menken’s music director and arranger since. He’s worked steadily on Broadway since 1982, on the original productions of Nine, Grand Hotel, Secret Garden, King David, Mayor, A Chorus Line, Triumph of Love, Little Shop of Horrors, The Little Mermaid, Leap of Faith, Sister Act, Newsies and Aladdin, and arranged the legendary theatrical version of The Hunchback of Notre Dame. His vast motion picture work includes Pocahontas, Hercules, Enchanted, Tangled, Captain America, the 2017 live-action film of Beauty and the Beast, Ralph Breaks the Internet and the 2019 live-action Aladdin. An Emmy®-award-winning television music producer and arranger, he worked for two seasons on the musical series “Galavant,” and has composed for children’s shows such as “Sesame Street.” In the recording world, Kosarin is a three-time Grammy®-nominated recording artist and producer. He also maintains an active concert career ranging from cabaret to symphony orchestras, and has conducted films such as The Little Mermaid and Beauty and the Beast live to picture all over the world, including at the Hollywood Bowl in front of 17,000 people.

Danny Troob (Orchestrations). Danny’s five-decade career includes composing, orchestrating, and conducting. Early credits: Pacific Overtures, The Baker’s Wife (dance music) and Big River (music supervision – Drama Desk winner). He orchestrated the animated features Beauty and the Beast, Aladdin, Pocahontas, as well as Newsies the film and the Broadway show. In 2012 he orchestrated Rodgers and Hammerstein’s Cinderella, for which he won his second Drama Desk Award. China, Russia, France, Italy, Germany, Holland and the UK round out his world travels.

Glen Kelly (Dance Music Arrangements) is honored to have worked with such icons as Mike Nichols, Stephen Sondheim, Mel Brooks, Woody Allen and Trey Parker. He won the New York Drama Desk Award for his score to The Nance. He was music supervisor and arranger for The Producers, Young Frankenstein, Death of a Salesman and Bullets Over Broadway. He arranged music for Something Rotten!; A Christmas Story; The Book of Mormon; The Scottsboro Boys; The Drowsy Chaperone; Spamalot and Beauty and the Beast; among others.

Howard Joines (Music Coordinator). Ground­hog Day; Bandstand; Paramour; Allegiance; Aladdin; Matilda; Side Show; Bullets Over Broadway; A Night With Janis Joplin; Cinderella; Scandalous; Chaplin; Ghost; How to Succeed; Promises, Promises; Bye Bye Birdie; Grease; Times They Are Matilda, Billy Elliot, Miss Saigon, Les Misérables, Radio City Music Hall. For Robin and Taylor. A-Changin’; Dirty Rotten Scoundrels. Conductor/percussionist: Groundhog Day, Matilda, Billy Elliot, Miss Saigon, Les Misérables, Radio City Music Hall. For Robin and Taylor.

Josh Marquette (Hair Design). NY/London: Present Laughter; Dreamgirls; Paramour; Tuck Everlasting; School of Rock; Something Rotten!; Aladdin; Kinky Boots; The Book of Mormon; Trip of Love; First Date; Elf; Dogfight; The Best Man; Look Back In Anger, The Drowsy Chaperone; Pig Farm; Trailer Park Musical; Altar Boyz; Show Boat at Carnegie Hall, Encores! Most Happy Fella; No, No, Nanette; Follies and Mamma Mia!. West Coast: Robin & the 7 Hoods, Peep Show, Minsky’s, Vanities. Television: “The Slap,” “30 Rock,” “Saturday Night Live.”

Milagros Medina-Cerdeira (Makeup Design). Makeup design for Tuck Everlasting; Something Rotten!; The Rocky Horror Show and makeup design consultant for Present Laughter and Sister Act. She has worked as a makeup artist on Broadway for more than 20 years, including Spider-Man, Mary Poppins, The Lion King, Into the Woods, Bells Are Ringing, The Wild Party, Tango Argentino, Little Me, The Wizard of Oz, The King and I and Kiss of the Spider Woman, and has worked with the esteemed Eartha Kitt and Diahann Carroll.

Jim Steinmeyer (Illusion Design). The New York Times calls him the “celebrated invisible man, designer and creative brain behind many of the great stage magicians.” His illusions have been featured by Doug Henning, Siegfried and Roy, David Copperfield, Ricky Jay and many others. He created the special illusions for Beauty and the Beast, Into the Woods, The Phantom of the Opera and Mary Poppins. He’s also the author of books on the history of magic.

Jeremy Chernick (Special Effects Design). Broadway: Charlie and The Chocolate Factory, American Psycho, You Can’t Take It With You. West End: Harry Potter and the Cursed Child, Let the Right One In. Television: “The Wiz Live” and “Peter Pan Live.” Chernick serves as head designer for J&M Special Effects in Brooklyn. www.jmfx.net

J. Allen Suddeth (Fight Direction) has worked professionally for the past thirty years out of the New York area. Broadway: Newsies, Jekyll & Hyde, Gem of the Ocean, Saturday Night Fever, Angels in America Parts One and Two, Loot, Saint Joan, A Small Family Business and Hide and Seek. He is ranked as one of sixteen recognized Fight Masters in the United States by The Society of American Fight Directors.

Scott Taylor (Associate Director). Broadway: On A Clear Day, A Little Night Music, Broadway Bound, Spamalot, Contact, Thou Shalt Not, Steel Pier, Victor/Victoria, Showboat, Crazy For You, Cats and Wind in the Willows. Films and TV: A Chorus Line, Center Stage, PBS’s Great Performances of Crazy For You and Contact.

John MacInnis (Associate Choreographer). Choreography credits include: European productions of Disney’s The Little Mermaid and Beauty and the Beast. Associate choreographer: The Book of Mormon. Director/choreographer: Olympic Medals Ceremonies (2002 and 2010 Winter Games); The Radio City Christmas Spectacular, including first international production in Mexico City. Thanks to Mike and Cooper for their love and support.

Tara Rubin Casting (Casting). Selected Broadway: Dear Evan Hansen; Bandstand; Indecent; Prince of Broadway; Sunset Boulevard; Miss Saigon; A Bronx Tale; Cats; Falsettos; Disaster!; School of Rock; It Shoulda Been You; Gigi; Bullets Over Broadway; Les Misérables; The Heiress; How to Succeed…; Billy Elliot; Shrek; Young Frankenstein; Mary Poppins; Spamalot; Spelling Bee; The Producers; Mamma Mia!; Jersey Boys; The Phantom of the Opera. Off-Broadway: The Band’s Visit; Here Lies Love; Love, Loss, and What I Wore.

Geoffrey Quart / Hudson Theatrical Associates(Technical Supervision and Production Management). More than 65 Broadway productions and tours. Recent: Hamilton, Fiddler on the Roof, Sylvia, The Realistic Joneses, Of Mice and Men, Mothers and Sons, All the Way, The Bridges of Madison County. HTA is a member of Neil A. Mazzella’s HUDSON family, which includes Hudson Scenic Studio and Hudson Sound & Light. Geoff has worked on more than 60 US and international touring productions. His work for HTA includes A Night with Janis Joplin, Porgy and Bess tour, Newsies Broadway and tour, and Aladdin (Broadway, Tokyo, Hamburg, London, Australia, North American tour).

Clifford Schwartz (Senior Production Supervisor). Clifford has been with Disney Theatrical since 1999. His Disney credits include two international productions of The Hunchback of Notre Dame, ten productions of Elton John and Tim Rice’s Aida, four productions of Disney’s Tarzan®, and the Broadway productions of Aladdin, Mary Poppins and The Little Mermaid. Other Broadway credits include Peter and the Starcatcher, Grease (1994), Chicago (1996), Big, Guys and Dolls (1992), Lend Me a Tenor and Moose Murders. Off-Broadway credits include Wenceslas Square and the world premiere of Steven Sondheim’s Assassins (1990). Clifford earned a Bachelor of Arts Degree from Temple University in Philadelphia.

Jason Trubitt (Production Supervisor) is proud to work with Clifford Schwartz on six productions of Aladdin worldwide (Broadway, Tokyo, Hamburg, London, Australia, North American tour). Previous Broadway credits: Sister Act; Mary Poppins; Never Gonna Dance; Brooklyn; Mamma Mia!; Wicked; Phantom. National tours: Mamma Mia! and Copacabana. Love to Mom and Herbie! AEA member for 20 years.

Kim Vernace (Production Stage Manager). Broadway credits include: Escape to Margaritaville; InTransit; An American in Paris; After Midnight; Chaplin; Hugh Jackman, Back on Broadway; A Tale of Two Cities; Seafarer; Coram Boy; Movin’ Out; The Music Man; Aida; Chicago and Beauty and The Beast. Touring credits: Hugh Jackman Broadway to OZ (Australian Area tour); Billy Elliott; The Little Mermaid; Chicago; Cats; Annie and Hello, Dolly!

Jimmie Lee Smith (Stage Manager) is happy to be a part of the Happiest Team on Earth. Aladdin marks Jimmie’s third show with Disney Theatrical. Recently Jimmie was also honored to be a part of Kenny Leon’s production of The Mountaintop with Samuel L. Jackson and Angela Bassett. Big love to my family for propping me up, always!

Monica A. Cuoco (Assistant Stage Manager). Original Broadway: If/Then, Memphis, A Catered Affair, Cymbeline. Off-Broadway: NYCC Encores! The Public Theater, Rent, Angels in America. Regional favorites: Without You, The Old Globe, Dallas Theater Center. For Drum and friends, lead on.

Alexis Shorter (Assistant Stage Manager). Productions include Cinderella; Memphis; The Little Mermaid; The Country Girl; Rock ’n’ Roll; The Producers; A Christmas Carol; Jesus Christ Superstar; Marie Christine; Bring in ’da Noise, Bring in ’da Funk; Racing Demon; The Heiress; Abe Lincoln in Illinois; My Favorite Year. For Brigid.

Terremce J. Witter (Assistant Stage Manager). Nine Broadway shows including Fences with James Earl Jones, Medea with Diana Rigg, and Chicago with Annie Reinking, Bebe Neuwirth, Joel Grey, and Jim Naughton. M.F.A. Yale School of Drama. Thank you Clifford, Jimmie Lee, and Disney Theatrical for making wishes come true. For dad, mom and Artie.

Michael McGoff (Production Stage Manager). BROADWAY: Dear Evan Hansen, Next To Normal, Wicked, Cymbeline, Butley, Festen, Seascape, & The Rivals. NATIONAL TOURS: The Wizard Of Oz, La Cage, Next To Normal and RENT. Five productions in Central Park. OFF-BROADWAY: The Explorers Club, The Long Christmas Ride Home, Our Lady Of Kibeho, and Burn This among 25 productions. Michael staged the 2015 - 2016 National Tour of The Wizard of Oz. Thanks to Don Bill for our 23-year magic carpet ride.

Kate McDoniel (Stage Manager) grew up in St. Louis, “went pro” at the Alliance Theatre in Atlanta, and then worked on many fine shows Off-Broadway. She’s been touring steadily since 2011, most recently with the Tony Award-winning Kinky Boots.

Vanessa Coakley (Assistant Stage Manager). Broadway: Natasha, Pierre & The Great Comet of 1812, The Merchant of Venice, National Tour: La Cage aux Folles. Off-Broadway credits include The Public, Roundabout, MTC, MCC & Playwrights Horizons.

Brae Singleton (Assistant Stage Manager). Broadway: Allegiance, The Cripple of Inishmaan. Off-Broadway: The Ruins of Civilization, Tales from Red Vienna (MTC). Tour: Something Rotten, Newsies, A Christmas Story. Regional: Romeo and Juliet, Private Lives (Hartford Stage), Crowns (The Goodman). BFA in Stage Management from The Theatre School at DePaul University.